Womens Identity in the Early 1900s Essay examples -- Women Studies,

Ibsen wrote this play in 1879. It is a three-act play with prose dialogue. The play takes place in the 19th century in Europe. It is a play about a woman, who struggles to find her own identity. The main point is women need treated as humans and not dolls. Women need to know their place and that they have rights. They also have duties as a wife and mother. As a wife, they need to be trustworthy and as a mother, they need to be role models. As do husbands need to respect their wife and know that, they have their own opinions and titled to them. Women cannot be good wives and role models to their children, if they do not know who they are and what their roles are in life. Ibsen uses the symbolism in his setting to show various aspects of Nora's character and reveal the theme of women's identity in the early 1900's. Symbolism, is used before the play even begins. The title A Doll's House is a symbol of tendencies for characters to play roles. The setting is in Helmers' apartment; the set is set up to furnish the thought it is his home and not hers (obj. 3). Nora returns with a Christmas tree setting the mood for the play (obj. 3). She also brings presents for the children. The presents signify pushing roles onto the children (obj. 3). Helmer proceeds to call Nora his "little lark" and "little squirrel" (pg. 1559). She answers "yes" (pg. 1559) right away leaving the impression that she is inferior compared to Helmer. He treats her in a demeaning way that she tolerates because she really knows no different. This also sets the tone that Helmer is superior over Nora throughout the play (obj. 3). He shows us his superiority over her with the macaroons that he forbids her to have. Yet she has them anyway and hide... ...he image of man; therefore, women have the same capabilities as do men (obj. 1). Every human being in life is equal and needs treated with respect and dignity (obj. 1). Ibsen is aware that women need to know who they are in order to be productive in society. He does a good job of bringing out the overall theme in A Doll's House of women's identity (obj. 2). In the theme, we are able to see his view of women and their need to be independent. Ibsen used symbolism to define the characters and the role of women's identity in society. This is not a typical structure of a home in 19th century, which left the ending causing immense controversies. Ibsen was taking a stand when he wrote this play (obj. 1). In the way, he wrote the play using Nora as the protagonist and Torvald as the antagonist, made this one of the best-constructed plays of the 19th century. Women's Identity in the Early 1900's Essay examples -- Women Studies, Ibsen wrote this play in 1879. It is a three-act play with prose dialogue. The play takes place in the 19th century in Europe. It is a play about a woman, who struggles to find her own identity. The main point is women need treated as humans and not dolls. Women need to know their place and that they have rights. They also have duties as a wife and mother. As a wife, they need to be trustworthy and as a mother, they need to be role models. As do husbands need to respect their wife and know that, they have their own opinions and titled to them. Women cannot be good wives and role models to their children, if they do not know who they are and what their roles are in life. Ibsen uses the symbolism in his setting to show various aspects of Nora's character and reveal the theme of women's identity in the early 1900's. Symbolism, is used before the play even begins. The title A Doll's House is a symbol of tendencies for characters to play roles. The setting is in Helmers' apartment; the set is set up to furnish the thought it is his home and not hers (obj. 3). Nora returns with a Christmas tree setting the mood for the play (obj. 3). She also brings presents for the children. The presents signify pushing roles onto the children (obj. 3). Helmer proceeds to call Nora his "little lark" and "little squirrel" (pg. 1559). She answers "yes" (pg. 1559) right away leaving the impression that she is inferior compared to Helmer. He treats her in a demeaning way that she tolerates because she really knows no different. This also sets the tone that Helmer is superior over Nora throughout the play (obj. 3). He shows us his superiority over her with the macaroons that he forbids her to have. Yet she has them anyway and hide... ...he image of man; therefore, women have the same capabilities as do men (obj. 1). Every human being in life is equal and needs treated with respect and dignity (obj. 1). Ibsen is aware that women need to know who they are in order to be productive in society. He does a good job of bringing out the overall theme in A Doll's House of women's identity (obj. 2). In the theme, we are able to see his view of women and their need to be independent. Ibsen used symbolism to define the characters and the role of women's identity in society. This is not a typical structure of a home in 19th century, which left the ending causing immense controversies. Ibsen was taking a stand when he wrote this play (obj. 1). In the way, he wrote the play using Nora as the protagonist and Torvald as the antagonist, made this one of the best-constructed plays of the 19th century.

The Doctor Who Saved Boston Essay -- Short Stories History Baseball Pa

The Doctor Who Saved Boston The memories of the Red Sox run to the 2004 World Series championship this year will remain in the minds of Sox fans forever. Whether it is David Ortiz’s walk off performances against the Angels and Yankees, Manny Ramirez’s tape measure home runs, or Derek Lowe winning the clinching games of all three playoff series, Red Sox nation will not soon forget the memories that the â€Å"bunch of idiots,† as centerfielder Johnny Damon dubbed this year’s Sox club,provided them, nor will they forget the Sox all out assault on baseball and Boston sports history. But of all the images the fans retain, of all the feelings they experienced, of all the heroes Sox nation put on an altar and worshipped - the most memorable has to be Curt Schilling pitching three games on an inured ankle, blood from broken sutures seeping through his sock and a look of obvious discomfort on his face, winning two, and capturing the heart’s of every member of Red Sox nation. But to understand the elation of the Nation and the reason that it has turned Curt Schilling into a God in the church that Cy Young, Ted Williams, and Carl Yaztremski built, we have to take a step back and remember the predicament that the Red Sox were in just over two months ago. It was October 12, and the Yankees had beaten the Red Sox in Game one of the ALCS. It was only one game, but that familiar feeling was back. That familiar feeling that Red sox fans have of doom and gloom lingering just over the horizon returned. Curt Schilling, the hired gun, the man who Sox management had brought in to beat the Yankees in just this situation, had not only lost the game, but looked utterly ineffective in doing so, allowing six runs in just three innings of work a... ... 55,000 people from New York shut up.† But in the end he was so much more than just a hired gun, he was a hero in real red socks. And he made more than 55,000 people from Boston stand up and applaud as he became the newest Red Sox player to be canonized in the church of Red Sox nation, alongside Yaz, the Kid, Pudge and Cy. And not to be forgotten is the man behind the scenes, the quiet and unassuming surgeon who made it all possible, Dr. William Morgan, whose name will be forever linked to Curt Schilling, the Red Sox and the 2004 World Series. He may not have thrown a pitch or swung a bat, but William Morgan saved the 2004 Boston Red Sox from being another team that just missed. And he saved Red Sox fans from finally having to utter those awful words – â€Å"wait ‘til next year.† But because of Bill Morgan and the entire Red Sox medical staff, next year is this year.

Analysis of Violin and Candlestick by Georges Braque Essay

Braque’s oil painting is a cubistic still-life. It’s content seems to be made up of what looks like his belongings – a violin, a fruit bowl, a candlestick, a newspaper etc. As he lived in Paris at the time this painting was produced, these belongings would have been in his apartment in one of the most artistic city in the world. I am guessing the process he used to create this piece is by dabbing paint onto the canvas instead casually painting with it. This gives texture to the painting rather than it just being flat. There are many straight lines in this piece of art, which sharpens and flattens the objects; making them 2D while the painting itself is almost 3D; giving it an abstract feel. This painting is much like a puzzle, where it is broken, jumbled and muddled into pieces overlapping each other. This give of the impression that Georges Braque’s mood at the time was very confused. There are very limited colours in this oil painting, with a range from brown to grey which isn’t very much at all. This makes the objects harder to see, and this may be some sort of metaphor for his current state of mind; he can’t tell one feeling from another. At least that’s how I see it but there are many different interpretations of this work of art. Braque may have had the intention to confuse others by painting this, in those times people had never seen anything like this before, and this was one of the painting that marked the start of Cubism. Cubism is where a piece of art shows several viewpoints of simple shapes simultaneously. In conclusion, I find this piece quick interesting as I have a personal love for music and playing with wax which this painting is based on. I love how different objects merge into each other; without the use of smudging but the complete opposite which is sharpening. I feel that the painting is definitely a symbolism of Braque’s life situation; a large puzzle which is being put back together wrongly. Whatever that was happening at the time of this painting’s appearance, Georges Braque was definitely feeling very confused about the situation.

Pros and Cons of Piracy Essay

The Alliance for Cultural Diversity – UNESCO – works to ‘prevent and fight against an ever-increasing level of piracy, in part brought about by recent developments in the use of new technologies and their consequences on cultural product sales. Piracy is detrimental to authors because it deprives them of the opportunity to profit financially from their work. The publishing, music, audiovisual and software industries are the most severely affected sectors’. Critically discuss the pros and cons arguments regarding the consequences of media piracy and position yourself in the debate. (2500 Words) This essay will critically discuss and evaluate the pros and cons arguments surrounding media piracy and its consequences. The aim is to evaluate what media piracy is and how it has changed the world’s approaches to legislation and copyright laws. This essay will try to focus on the Political, Economic, Technological and Social factors of the consequences of piracy, doing so by positioning myself within the argument. Media piracy can be defined as the process of the distribution of someone else’s work without their legal consent. Karaginis (2011, p1) believes that piracy has arisen as the consequence of a ‘global pricing problem’. Panethiere (2005, p9) refers to piracy as ‘the activity of manufacturing unauthorised copies of protected material and dealing with such copies by way of distribution and sale.’ As the prices of media goods have risen, so have the issues surrounding piracy, due to the demand of consumers for sourcing cheaper and more cost efficient means of accessibility. Lessig (2004, p62) states that ‘the recording industry estimate that it loses about $4.6 billion every year to physical piracy’. This emphasises just how serious an issue piracy is, due to the fact that many media distribution companies are losing out on large amounts of income. A study was conducted in early 2011, questioning participants as to whether they thought illegal file sharing among the public was acceptable. Results showed that 70% of those asked believed that downloading illicit material  from the Internet was acceptable. The study also showed that ‘three out four, however, felt it was completely unacceptable to then sell that product for profit’. http://torrentfreak.com/piracy-socially-acceptable-110228/. This emphasises just how high percentage of the public that are willing to commit a crime and illegally share files veer various peer-to-peer (P2P) networking sites. Piracy can occur in many forms, although as Lessig, L (2004, p67) argues, that the most significant form of piracy is commercial. He describes this as the ‘unauthorized taking of other peoples content within a commercial context.’ However it is important to also look at the economical factors, political factors and technological factors surrounding piracy and their consequences. There are a rapidly growing number of people who are illegally downloading copyrighted material via various peer-to-peer networks. For many, piracy has become a means to access media such as music, films and books for relatively cheap prices and often for free. This is leading to huge problems within the media distributing industries. There are severe consequences for those found to be breaching copyright laws. Bouchoux (2012, p42) believes that ‘one solution in the fight against piracy of media products is to lower the prices’. He argues that the main reason for piracy is that consu mers do not believe that they should have to pay these high prices set by the owner. ‘It’s not moral, it’s not right, but it’s there and it’s easy. There’s no one to stop you from doing it, and probably never will be’. (Tassi, 2012). It is easy to predict that if one form of media copying is shut down, then another new method will emerge in its place. Napster is an example of a major P2P sharing site. Launched in July 1999, Napster accumulated over 10 million users within nine months. After 18 months, there were close to 80 million registered users on the site, showing just how vast the potential growth in this criminal market is. In December of 2000, a study showed that a huge proportion of consumers were college students taking advantage of the ‘blazingly fast Internet connections used on most college campuses’. (H2G2, 2003). This demonstrates how technology has become a major factor in the piracy issue, as the students were taking advantage of the advances in  technology as a means of accessing free me dia. Legal proceedings quickly shut Napster down, however other services emerged to take their place. These continue to provide users with a service that allows them a way of accessing the media they want for free. There are many reasons as to why people engage in media piracy. As shown above, the majority of illegal downloads are made by teenagers and young adults, most commonly in college or university. Economic and social factors make it understandable as to why these downloads are being made, as the high prices of todays media makes it difficult for many to afford the legal product, especially within the current recession and on a student budget. Cost may be a deciding factor amongst the reasons that people illegally pirate media. If the price is higher than they are willing to pay, then they may feel inclined to look for other ways of sourcing the media. A common justification for this kind of behaviour is that the companies providing the legitimate products are enormous and are maki ng millions of pounds. Therefore many people believe that one stolen piece of media would be unnoticeable for an organisation that large and profitable. In other words, the view is that if the victims can’t feel the loss, stealing from them isn’t wrong. ‘The Robin Hood Effect’ can be applied to piracy in the context of redistributing wealth and income so that economic inequality is reduced. In other words ‘taking from the rich and giving to the poor’. This is essentially what P2P sharing sites are doing, by providing people with a cheaper way of obtaining their favorite media from the large media corporation’s. Users may feel that their single purchase is not significant in the global scheme of sales, however if every consumer had this same motive, then the major companies providing the legitimate product or services would have no buyers and soon go out of business. Panethiere, (2005, p9) discusses how ‘it is a maxim of the law in many countries that a right without a remedy is, in effect, no right at all. This is well illustrated in the field of intellectual property where authors and other rights holders are so often unable to enforce the rights that the law gives to them. This is a problem encouraged by piracy.’ Panethiere continues to discuss how the P2P sharing sites too often ignore the rights of the many  people whose income is dependent upon the recognition of their work and sales. Panethiere (2005, p11) also suggests that P2P sharing sites are ‘intentionally, deliberately, and systematically attempting to profit from the creations of others’. Due to this, strict laws have been put into place to prevent such piracy actually taking place. ‘Recorded music represents the musical life of a society in a particular time. If the best of a nation’s performers are not being commercially recorded, then thei r works are not being preserved and the losses to local culture are incalculable’. (Panethiere, 2005). The Recording Industries Association of America are just one of many companies working on tracking down and abolishing piracy, working to protect ‘the intellectual property and First Amendment rights of artists and music labels; conduct consumer, industry and technical research; and monitor and review state and federal laws, regulations and policies’ (RIAA 2014). Despite the many justification that are offered in its defense, piracy is wrong. By making unauthorized copies of any form of media, the user is breaking the law and could in effect be subject to civil and criminal charges. Penalties for piracy in the USA include up to five years in jail and fines up to $250,000. It is questionable whether given these high risks piracy is worth it (RIAA, 2014). However in response to this question being raised, there are very few cases of people who have actually been caught and ultimately fined. In most cases consumers are given a written warning and some may have their Internet connection disconnected. ‘Between 2003 (the start of the RIAA lawsuits) and mid-2007, only about 20,000 people had been sued, fined or received a written warning’. When taking into account the astonishing numbers of users of P2P sites daily, these statistics on the number of people caught are minute. It is estimated that there are 146 million visits to P2P shari ng sites a day, which works out at around 204,000 views and minute and around 53 billion views a year. http://www.go-gulf.com/blog/online-piracy/. As Lewkes & Yar (2013, p50) state ‘what was once an activity of underground counter-culture, now becomes a norm of mainstream culture.’ This emphasises just how untroubled consumers are of the consequences they could encounter when illegally accessing this free media provided to them. When looking at the issue of piracy, it may be important to consider the artist’s views. Some musicians see the accessibility of free downloads as positive (a form of free advertising) whilst other artists may not see this in the same way. P2P allows users to obtain content for free. In come cases it allows consumers to decide whether or not they like the music and if they will make future purchases. This also with applies to films. Having viewed or listened to an illegal download of poor quality, a user may decide to purchase at legitimate copy. Again this relates back to Karaginis (2011) earlier point that piracy occurs as a consequence of a ‘global pricing problem’. If these forms of media were available at a cheaper price, users may not look to these sites as a way of either a free or test purchase. Some may argue that piracy is insulting and harmful to artist and producers. â€Å"When you make unauthorized copies of someone’s creative work, you are taking something of value from the owner without his or her permission† (Yar 2005). Many would strongly agree that piracy is stealing and therefore the producers and artists are more than likely to feel betrayed by fans and viewers and that their talents are unappreciated. When looking at music artists, using P2P sites has a knock on effect throughout the industry. Not only does the artist lose money due to pirating but the recording labels, advertising companies and even the loyal fans are also effected, as prices are inevitably raised in order to make up for their loses (Castells, M & Cardoso, G, 2013) and so a cycle is perpetuated. Some Indy bands make a living solely from the revenue they gain from legitimate sales. Illegal downloads of their music make it extremely difficult for them to continue to compete in the m arket and to produce their music. We can also use the case of tribute bands. This could be seen as a form of piracy as the bands are performing songs that they themselves did not write or produce. However, an individual may enjoy the song and therefore purchase the original artists version. This supports the case that piracy can often have positive effects. It can be seen as a form of advertising and ultimately increase awareness, future sales and revenue. Lessig (2004) believes that ‘the internet has provoked piracy’. Strict laws and legislation have been introduced to try and protect media producers from copyright infringements but Lessig believes that with the birth of the Internet, ‘the law has lost its sight of control, the laws role is less and less to support creativity, and more and more to protect certain industries against competition’. Technological advancements are one of the main reasons for the increased use of piracy. The scale of piracy has been led primarily by shifts in technology and cultural practices. We can look back to the introduction of CDs and VCDs in the 1990s, to the growth of DVDs in the early 2000s, and now on to the more recent growth of high-speed Internet connections. The movie piracy business, for instance, was transformed in China, with the introduction of DVD burners in 2003. This caused a huge increase in both the supply and demand of pirated DVDs, as it became extremely ea sy to make copies of media and sell at a much cheaper price. . As we can now access the majority of media digitally, it eliminates the need to have physical copies of CD’s or DVD’s. This reduces consumers desire to have physical copies of materials, and therefore may increase the chances of someone engaging in piracy. Before the introduction of the new media technologies mentioned above, consumers would have often preferred to buy a CD for its authenticity, i.e. packaging, artwork and quality. However, now we can easily access digital music files of the same quality as a CD, as well as being able to replace the physical artwork, with digital photos. Assuming the consumer has access to a computer it makes more sense for them to easily download a file in the comfort of their own home rather than going into a shop or buying a dodgy disk from someone selling pirated material in the street. Therefore by providing the public with technology that can deliver such services, it increases the chances of piracy, particularly for those with a low income. No one should condone piracy and the law needs to stamp down on it in order to allow production and sales of media goods to grow. I believe that despite the many positive effects that piracy can have for consumers and in some cases producers the laws and legislations must find a way to deter consumers for making this their chosen way of obtaining materials, before the damages to the media industries are incurable. One solution I feel could be  effective is if the companies use some of their profits to implement a stronger key code system. Whereby each user will only be able to use materials once, therefore making it harder to duplicate and harder to pass onto to others through P2P sites. If piracy continues to take place then it can be assumed that sales will continue to decline. This makes it increasingly difficult for the businesses to survive, as a loss in sales will have a knock on effect throughout the media industry. References Bouchoux, D (2012). Intellectual Properties: The Law of Trademarks, Copyright, Patents and Trade Secrets. 4th ed. p42. Castells, M & Cardoso, G (2013). Piracy Cultures: How a Growing Portion of the Global Population is Building Media Relationships Through Alternative Channels of Obtaining Content. Portugal: University of Lisbon. Jewkes, Y & Yar, M (2013). Handbook of Internet Crime. New York: Routledge. p50. Karagins, J (2011). Media Piracy in Emerging Economies. United States of America: Social Science Research Council. p1. Lessig, L (2004). Free Culture: How Big Media Uses Technology And The Law To Lock Down Culture And Control Creativity. New York: The Penguin Press. p62 – 82. Panethiere, D (2005). The Persistence of Piracy: The Consequences for Creativity, for Culture, and for Sustainable Development. United Nations Educational: Scientific and Cultural Organization. p9. Tassi,P. (2012). You Will Never Kill Piracy, and Piracy Will Never Kill You. Available:http://www.forbes.com/sites/insertcoin/2012/02/03/you-will-never-kill-piracy-and-piracy-will-never-kill-you/2/. RIAA. (2014). Who Music Theft Hurts. Available: https://www.riaa.com/physicalpiracy.php?content_selector=piracy_details_online. http://h2g2.com/edited_entry/A741089 http://www.go-gulf.com/blog/online-piracy/ 70% of the Public Finds Piracy Socially Acceptable 70% of the Public Finds Piracy Socially Acceptable - TorrentFreak

Anansi Essay

In this mythological story, the author outlines the relationship of Hess two by causing Spider to create stressful situations that push Charlie out Of his shell and to take control Of his life. It is evident throughout the novel that Charlie's character consistently develops into, like Spider, a more positive, confident and charismatic person, one by which fits into the Nancy family reputation. In the beginning of this story, there was nothing extraordinary about the character of Charlie Nancy.He could be described as a somewhat boring character: he had a nine to five job, a fiance and enjoyed partaking in normal day to day activities. Charlie's initial character comes across as a very insecure person; he never puts himself out there and has been known to get extremely embarrassed for the littlest things. Charlie rationalizes these attributes by blaming his father for embarrassing him as a child. Caiman writes, â€Å"The worst thing about Fat Charlie's father was simply this: He was embarrassing. (ANSI Boys, 10) The story continues into a description of how Charlie's father made him dress up as Taft: â€Å"Well, when I changed schools, when I was a kid, my dad made a point of telling me how such he had always looked forward to Presidents' Day, when he was a boy, because it's the law that on Presidents' Day, the kids who go to school dressed as their favorite presidents get a big bag of Of course, there was no such thing as President's Day and Charlie was mortified. In his eyes, his father was someone to be ashamed of. He was far too good at embarrassing people and would be the heart and soul of the party.Charlie was so embarrassed by his father that he argued to keep his father away from his and Rookie's wedding. After much convincing on Rookie's end, Charlie alls a family friend, Mrs.. Wiggler, to find his father's number; only to find out that his father had passed away. After his fathers funeral, Charlie visits with Mrs.. Wiggler and learns a great deal mo re about his family. She reveals that Charlie had a brother and their father was a type of ‘God'. Charlie of course, thought that Mrs.. Wiggler was going a bit crazy, but humored her regardless.While trying to get back to his normal life, Charlie decides the practical thing to do would be to go back to work. Caiman writes, â€Å"Fat Charlie was a man who preferred to be working. He regarded lying on a sofa watching Countdown as a reminder of his interludes as a member of the unemployed. He decided that the sensible thing to do would be to go back to work a day early. In the Aldrich offices of the Grahame Coats Agency, up on the fifth and topmost floor, he would feel part of the swim of things. There would be interesting conversation with his fellow workers in the tearoom.The whole panoply of life would unfold before him, majestic in its tapestry, implacable and relentless in its industry. People would be pleased to see ) This as the type of person Charlie was, reliable, sensi ble and practical. He believed that he would feel better once things were back on track in his life. Charlie's job at the Grahame Coats Agency fits perfectly into his type of character. Caiman explains, ‘From this you would presume that there is little you need to know about Fat Charlie's employment, save that he was unhappy in it, and, in the main, you would be right. (43) Charlie was in some type of rut in his life where he was completely unhappy in every aspect, but did and tried nothing to get out of it. As the story develops, Charlie learns, to his surprise, that he does have a brother. Charlie's brother, Spider, is not your average person. Spider takes after their father, and is a type of God. Caiman describes, â€Å"There was a family resemblance between the two men. That was unarguable, although that alone did not explain the intense feeling of familiarity that Fat Charlie felt on seeing Spider.His brother looked like Fat Charlie wished he looked in his mind, unconstr ained by the faintly disappointing fellow that he saw, with monotonous regularity, in the bathroom mirror. Spider was taller, and leaner, and cooler. He was wearing a black-and-scarlet leather jacket, and black leather leggings, and he looked at home in Within a few days of meeting Spider, Charlie's behavior had already changed. Before he knew It, Charlie was at a bar, drinking wine and talking with a group of girls. Spider had an effect on Charlie that made him act out of character.Caiman does a good job of making these characters completely opposite. In his interview R. LLC Sirius, Agrarian States, â€Å"The lead character in ANSI Boys is divided up into Fat Charlie, our hero, who is very English and very embarrassed, and his brother Spider, who is semi-fictional and god-like and for whom the world just sits up and begs and does more or less whatever he wants to Sirius, 3) Caiman explains to us that Spider is an energetic, attractive, smooth talking man who gets exactly what he w ants and takes on his father's persona.Spider continuously pushes Charlie out of his comfort zone and forces him to stand up for the things he wants in life. Spider shows an interest in Rosier rather quickly and even goes as far as telling her he loves her. This, of course, forces Charlie into a physical altercation with his brother, which shows again the extremes that Spider pushes his brother into. Spider goes to Charlie's work and ultimately gets him in more trouble. Charlie's whole life had been turned upside down because of his brother's selfishness and he reacts by promising to get rid Of him once and for all.After going through these stressful situations, Caiman develops Charlie's character into one that fits into the Nancy family's reputation. Not only did Spider's selfishness push Charlie over the edge, but it also made him into a stronger and more confident person. Through the development of Charlie's character, his relationship with spider develops as well. In the beginni ng of the novel, Charlie was unaware that he had a brother, but, through the many obstacles they face together, Charlie and Spider turn out to be closer than ever.One of the more defining moments that allow us to truly appreciate Charlie's new character is when he gets up to sing karaoke like his dad use to. Even though it was a life or death situation, Charlie would have never been able to sing on stage without getting nauseous a few months before that. Caiman describes exactly what Charlie is feeling in that moment: He was still terrified, still angry, but he took all the terror and the anger, and he put it into the song and let it all become a song about lazing and loving. As he sang, he thought. What would Spider do? Thought Fat Charlie.What would my dad do? He Boys, 243) In that moment, Caiman shows that Charlie IS not the same person that he was in the beginning of the story, but that he turned into the person that he always wanted to be; a person similar to his father and bro ther, who could be comfortable in their own skin. In the interview conducted by RIG Sirius Caiman states, â€Å"Gods and heroes win. â€Å"(RL Sirius, 2) It is evident in the conclusion of this novel that Charlie's character won. Not only did he defeat the ‘bad guy', but he also evolved as a human being and gained a brother and friend.Through all the turmoil, the hero still prevailed and the antagonist was what pushed Charlie to be better. Caiman develops Charlie Nanny's character through interactions with his brother, Spider. Not only does Charlie become a better-rounded person, he also builds a great relationship with his brother, who he never even knew he had. Charlie struggles throughout the novel to keep his composure and get rid of his elfish brother but in return, breaks out of his shell and becomes a person his father could be proud Of.

Gladiator Powerplay Essay

Gladiator is a film about Maximus, a roman general who was to be the next emperor, succeeding Aurelius. Aurelius’ son Commodus gets angry and jealous at the fact that he was not chosen by his father to be next in line. He then proceeds to kill his father and orders Maximus to be killed. Maximus flees but finds out that his family has been murdered. He later gets enslaved and becomes a gladiator, where he trains under Proximo who also was a former gladiator. He then starts a journey to get the peoples power and to gain revenge over the person who killed his own family (Commodus). Imperial or political power play * Maximus has to gain the trust and power from the general public * Commodus is jealous that he did not get picked as the next emperor * Maximus is shown as being fearless which makes the crowd like him even more * Maximus has nothing to lose, so Commodus can’t do any more damage to his public image * Maximus was shown to be a noble and powerful Roman general Power play in relationships * Maximus and Commodus has a strong tension to show each other who has more power * Commodus and Aurelius had a bitter relationship and ended in Commodus murdering Aurelius * Maximus and Proximo where Maximus had learnt to become a fearless gladiator * Commodus’s guards and Proximo, where Proximo gets murdered * The People and Commodus

Cause and Effect Essay - McDonalds Causes More Deaths than Terrorists

It was probably inevitable that one day people would start suing McDonald's for making them fat. That day came this summer, when New York lawyer Samuel Hirsch filed several lawsuits against McDonald's, as well as four other fast-food companies, on the grounds that they had failed to adequately disclose the bad health effects of their menus. One of the suits involves a Bronx teenager who tips the scale at 400 pounds and whose mother, in papers filed in U.S. District Court in Manhattan, said, "I always believed McDonald's food was healthy for my son." Uh-huh. And the tooth fairy really put that dollar under his pillow. But once you've stopped sniggering at our litigious society, remember that it once seemed equally ludicrous that smokers could successfully sue tobacco companies for their addiction to cigarettes. And while nobody is claiming that Big Macs are addictive -- at least not yet -- the restaurant industry and food packagers have clearly helped give many Americans the roly-poly shape they have today. This is not to say that the folks in the food industry want us to be fat. But make no mistake: When they do well economically, we gain weight. It wasn't always thus. There was a time when a trip to McDonald's seemed like a treat and when a small bag of French fries, a plain burger and a 12-ounce Coke seemed like a full meal. Fast food wasn't any healthier back then; we simply ate a lot less of it. How did today's oversized appetites become the norm? It didn't happen by accident or some inevitable evolutionary process. It was to a large degree the result of consumer manipulation. Fast food's marketing strategies, which make p d McDonald's just suffered its first quarterly loss since the company went public 47 years ago. The obvious direction to go is down, toward what nutritional policymakers are calling "smart-sizing." Or at least it should be obvious, if food purveyors cared as much about helping Americans slim down as they would have us believe. Instead of urging Americans to "Get Active, Stay Active" -- Pepsi Cola's new criticism-deflecting slogan -- how about bringing back the 6.5-ounce sodas of the '40s and '50s? Or, imagine, as Critser does, the day when McDonald's advertises Le Petit Mac, made with high-grade beef, a delicious whole-grain bun and hawked by, say, Serena Williams. One way or another, as Americans wake up to the fact that obesity is killing nearly as many citizens as cigarettes are, jumbo burgers and super-size fries will seem like less of a bargain.